Thomas Lisle (Leeds UK 1962 – )
Modern Art Gallery is de exclusieve vertegenwoordiger van Thomas Lisle in Nederland en Belgiƫ.
Wij hebben geen werk van hem in voorraad, maar we kunnen het direct bestellen.
Alle prijzen zijn exclusief verzendkosten en eventuele invoerrechten.
Modern Art Gallery is the exclusive representative of Thomas Lisle in the Netherlands and Belgium.
We do not have work of him in stock, but we can order it directly.
All prices are exclusive of shipping costs and possible import duties.
Nationality: British
Education: Jacob Kramer College of Art, Leeds
University of Reading, Fine Art Department, Degree
Teaching
University of Reading (2 days), Slade School of Art (4 weeks), Southwark College (short course 10 days)
Kingsway College, Winchester College of Art (2 days), Sir John Cass (short course 10 days)
Selected solo exhibitions
1986 āGeorges Bataille is Deadā
London Film Makers Co-op Summer Festival restructured video and slides, Sound Laurence Hughes.
1986 ā9 Doughty Streetā Cibachromes, prints, installation, Bloomsbury London āA Sea Shantyā restructured video,
1986 āThe Daylight Clubā the Diorama and exhibition in Gallery of paintings with video monitors, . ā A Walk in the
Gardenā (nudes 5x slide projectors), āTreesā (nudes 5x slide projectors), Slide Ā over 6 months
1987 āRavensdalesā Broadcast Edit facilities with gallery, Soho, installation. 1.5 x 1.2m prints
1987 āThe Church Galleryā Marble Arch London āAeroplaneā (kinetic slides from restructured video) 1 month.
1987 āBlast R101āOrmans Club, St James, London, Permanent Installation commission, 1 year.
1988 āThe Third Eye Centreā Glasgow āAeroplaneā two weeks installationn and Artist in residence. 1 week.
1988 āStoke Scultpure Court Commissionon and installation āFish out of Waterā
1989 āThe Smithā Gallery Stirling, Scotland, āFish out of Waterā( kinetic slides from restructured video) 1 month.
1992 āThe Newlyn Orion Galleryā, Cornwall āFish out of Waterā
1992 āThe Aspex Galleryā Portsmouth āFish out of Waterā
1993 āPuskinskaya 10ā Cbetz Kosak Gallery, St Petersberg āFish out of Water British Council Funded
1993āThe Bunkerā (old Atomic Bunker) St Petersburg Russia
1994 āJames Hockey Galleryā āA Domestic Operaā Installation, Arts Council Video Dept Funded
1999…āSelfless Princessā with āKala Sangamā Asian Dance Company, The Alhambra Bradford.
2009…āThat which Transpires behind that which Appearsā 3 digital animations videos āThe Universalā Maida
and the 291 Gallery with the London Biennale and performace by David Medella
2011…āBehind Visionā 55 watercolour paintings āKoukan Gallery London
2013 Koukan Gallery, October, āThe Way is not straight forwardā and 15 paintings oil on canvas
Collections
The Tate London
āAeroplane ā an artists Book of photos in specially constructed box
Museum Of Modern Art New York
āAeroplane ā an artists Book of photos in specially constructed box
The New Museum, New York
āAeroplane ā an artists Book of photos in specially constructed box
Museum Of Modern Art New York
complete documentation in archives āongoingā
The Raymond Moore Archives
āAeroplane ā an artists Book of photos in specially constructed box
The Creasey Collection, Salisbury
Images from āA walk in the Gardenā
LVA
Collection of Videos
ICA
Collection of Videos
St Martins Video Art Archive
Collection of Video art works
Broadcast Videos
The Landscape Channel, Channel 4
āFish out of Waterā
Part of his work can be seen in the PDF file below.
Een deel van zijn werk is te zien in het onderstaande PDF-bestand.
Nationaliteit: Brits
Opleiding: Jacob Kramer College of Art, Leeds
University of Reading, afdeling Beeldende Kunst, diploma
Docentschap
University of Reading (2 dagen), Slade School of Art (4 weken), Southwark College (korte cursus van 10 dagen)
Kingsway College, Winchester College of Art (2 dagen), Sir John Cass (korte cursus van 10 dagen)
An essay on the future of painting in digital art by Thomas Lisle:
Covering Digital 3D time-based painting and the differences in its approach to art, in terms of the conscious and personal as opposed to art made by AI, Generative or Glitch technology.
“Generative and AI art, to me, are impersonal in that itās an algorithm rather than a human that makes the art.”
https://www.niio.com/blog/digital-art-time-painting-sculpture-and-consciousness/




































